In a stark spot from Nord DDB for Swedish charity Child X, a young girl's description of her harassers has a chilling twist.
This ridiculously jolly spot for the mayonnaise brand follows the antics of two office workers who love spreading the joy of the popular eggy spread.
In the latest step of its Brilliantly Boring since 1865 brand refresh, the bank and director Tim Godsell show us ordinary folk that go to extraordinary lengths to make a bit of money.
The timepiece brand launches a classy ad that celebrates the accomplishments of elite athletes.
M&C Saatchi SS+K's powerful PSA for Communities In Schools sees the names of 15 million absentee students barrel down a vacant school hallway and campus.
In a grimy, frantic film for Gemma Rogers' new track Death Knocked Up, the Rattling Stuff x Panoptic Films director puts the grim into Grim Reaper.
The American artist and rapper Lil Wayne lust over each other in a stylishly-shot promo for her new track Ridin, directed by Relta.
This energetic spot for the online retailer is a tale of sibling rivalry that motivates two sport-loving women to be the best they can.
In a stark spot from Nord DDB for Swedish charity Child X, a young girl's description of her harassers has a chilling twist.
This ridiculously jolly spot for the mayonnaise brand follows the antics of two office workers who love spreading the joy of the popular eggy spread.
In the latest step of its Brilliantly Boring since 1865 brand refresh, the bank and director Tim Godsell show us ordinary folk that go to extraordinary lengths to make a bit of money.
The timepiece brand launches a classy ad that celebrates the accomplishments of elite athletes.
M&C Saatchi SS+K's powerful PSA for Communities In Schools sees the names of 15 million absentee students barrel down a vacant school hallway and campus.
In a grimy, frantic film for Gemma Rogers' new track Death Knocked Up, the Rattling Stuff x Panoptic Films director puts the grim into Grim Reaper.
The American artist and rapper Lil Wayne lust over each other in a stylishly-shot promo for her new track Ridin, directed by Relta.
This energetic spot for the online retailer is a tale of sibling rivalry that motivates two sport-loving women to be the best they can.
Q&As and behind-the-scenes info on the latest and greatest commercials, shorts and music videos.
A recent campaign for Signature, a British Sign Language charity, features a series of TikTok dance tutorials teaching viewers how to sign, countering the wave of incorrect sign language that has been spreading on social platforms. Sam Arnold, a deaf filmmaker and first time commercial director, helmed the campaign and he and producer Theo Youngstein tell us all about it.
Creative agency AMV BBDO and SMUGGLER director Lucy Forbes take us behind the scenes of Bodyform's revolutionary new campaign, Never Just a Period, which blends live-action, stop-motion, animation, and a healthy dash of humour to highlight centuries of misinformation around periods, menopause, and reproductive health.
We catch up with BLINKINK’s Raman Djafari to find out how he orchestrated a global team of animators to create a mixed-media masterpiece for Coldplay’s feelslikeimfallinginlove, seamlessly blending 2D, 3D & digital techniques into a mesmerising continuous narrative of two souls falling in love.
From its traditional animation techniques to subtle stylistic choices, Nexus Studios' director FX Goby delves deeper into the details of their passionate Parisian Olympic offering.
AnalogFolk has launched a provocative new campaign that aims to transform leadership within advertising by reimagining some of the industry's most lauded male leaders as women.
As 72andSunny continues to grow globally in its 20th year, it has hired Chris Kay to a newly created role as 72andSunny International President
Director-photographer Guelat, joins Stink Rising in the UK, US and Germany.
Glassworks expands London VFX team with Hannah Wilk and Felix Marrington-Reeve.
AICP’s annual trailer competition offers mentoring to emerging artists via the Camp K Coaches hotline, staffed by veteran post artists.
Though Rich is new to Yessian, he is an industry veteran, having worked in the entertainment and commercial television industry for nearly a decade.
electriclime° add Indigo Bates to director roster for representation throughout ANZ, APAC & MENA
As 72andSunny continues to grow globally in its 20th year, it has hired Chris Kay to a newly created role as 72andSunny International President
Director-photographer Guelat, joins Stink Rising in the UK, US and Germany.
Glassworks expands London VFX team with Hannah Wilk and Felix Marrington-Reeve.
AICP’s annual trailer competition offers mentoring to emerging artists via the Camp K Coaches hotline, staffed by veteran post artists.
Though Rich is new to Yessian, he is an industry veteran, having worked in the entertainment and commercial television industry for nearly a decade.
electriclime° add Indigo Bates to director roster for representation throughout ANZ, APAC & MENA
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Request a demoPacked with blockbuster visuals and an important message to match, Nicolas Bori's Breaking Glass picked up a Gold in the YDA's Film School > up to 10 minutes category. Here, shots finds out how the Filmakademie Baden-Wurttemberg student piloted dreams to success.
Daniel Bergmann, founder and president of Stink Films, explains why his company, which won a Gold Screen producers award at this year’s YDA, has always had a mission to nurture new directors and why they seek creatives who genuinely care about the work.
German director Vanessa Stachel secured a Gold in the YDA Animation, and Film School category for her short film Delivery For Mr. Frogula. Here, she talks about making the miniatures, the team involved in bringing the film to life, and hopes and dreams for the future.
Greenpoint Pictures director Chelsea Lupkin says she is pleasantly horrified by a film's marketing campaign, admits to crying at a monster movie, and explains why drifting's "smoking tires and impressive driving manoeuvres" has influenced her career.
The Caviar director Jocelyn Anquetil speaks on listening to Mk.gee, off-beat horror movies, and her garlic crusher...
Emily Wilcox, CEO of TBWA\Chiat\Day New York, talks Wes Anderson's whimsey, Sia's multi-dimensionalism, and advertising's sometimes unrecognised brilliance.
In 2024, when mainstream feminism seems to be focused on shiny memes and Katy Perry’s hypocritical empowerment songs, Amy Kean asks: what’s really holding us back? When women still feel the need to soften themselves, mind their language and play nice, should we be looking closer to home to fix the issues?
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