Ever wondered what fills the world’s most creative minds?
Feed your inspiration with our regular columns.
Arts Academy editor Kelly Lyon, ACE shares her admiration for masterpieces from Severance to Making a Murderer, tells us why The Office is the holy grail of editing, and emphasises the power of a good cut in bringing comedy to life.
From imaginative narratives to creative cuts, SLMBR PRTY director Savannah O’Leary talks us through a diverse selection of films that inspire her, and explains why being able to kill your darlings is a director's most valuable skill.
Marcus Tortorici, director at Voyager, enjoys revisiting his passion for photography, was left breathless by Alex Garland's recent project, and cites a Coen Brothers masterpiece as having a "profound impact".
Partizan director Alice Kong talks us through the thrifting treasures, sought-after shrub, and peeing pooches that fill her New York abode.
Justin Sirizzotti, Associate Creative Director at PXP, chats Dungeons and Dragons, his favourite directors and advances in music promo technology.
NM Productions' director Dionne Loftus namechecks John Waters, Jerry Seinfeld and Danny Dyer as she reveals what's on her creative radar.
On Location is a column that gives a boots-on-the-ground look at some amazing cities, brought to you by local production experts.
Slash director Jake Mavity talks about the chemistry of casting, nurturing creativity, and the filmmakers who have impacted his career from Spike Jones to the Coen Brothers.
SLASH director, Dave Wood is thankful that technology allows for immediate images of racoons in funny hats, can find no flaws in a Cohen brothers classic, and is unsure about friendship if you don't like Terry Tate.
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Learn MoreThe Cut+Run editor shows a love of tradition and femininity in the items that give her creative flair.
We hear from Julie Berger, Chief Media Officer at Giant Spoon, where they talk about Daisey the Danelectro guitar, the MTV era and AI's role within the audio industry.
Andrew Lane, a director at Washington Square Films, finds What3Words revolutionary, hates wireless earbuds, and definitely isn't going to say that Armageddon is the best film ever. Definitely.