Jamie Madge
Co-Editor
jmadge@extremereach.com@mrmadge
Jamie Madge co-edits shots with Danny Edwards. He conducts written and filmed interviews with some of the world’s top creatives, directors and producers and bloody loves it.
Slutet är Nära sketches the Unusual Suspects
In a stark spot from Nord DDB for Swedish charity Child X, a young girl's description of her harassers has a chilling twist.
PNC banks on people being boring
In the latest step of its Brilliantly Boring since 1865 brand refresh, the bank and director Tim Godsell show us ordinary folk that go to extraordinary lengths to make a bit of money.
Chronic absenteeism is on a roll
M&C Saatchi SS+K's powerful PSA for Communities In Schools sees the names of 15 million absentee students barrel down a vacant school hallway and campus.
Louis Norton Selzer gives life to Death
In a grimy, frantic film for Gemma Rogers' new track Death Knocked Up, the Rattling Stuff x Panoptic Films director puts the grim into Grim Reaper.
Flying through the glass ceiling with Nicolas Ivan Bori
Packed with blockbuster visuals and an important message to match, Nicolas Bori's Breaking Glass picked up a Gold in the YDA's Film School > up to 10 minutes category. Here, shots finds out how the Filmakademie Baden-Wurttemberg student piloted dreams to success.
new—land crashes its own party
Directed by Tore Frandsen, once again collaborating with Robert/Boisen and Like-Minded for The Danish Cancer Society and TrygFonden, Party Crashers sees a young man forced to confront the guy(s) he becomes after drinking.
USTA and ESPN find the keys to the US Open
A series of bucket drummers bang out a manifesto in this charming collab with Alicia Keys’ musical Hell’s Kitchen.
+61 ways to cause chaos
To launch Telstra’s bespoke agency, +61, Bear Meets Eagle on Fire, alongside directing collective Glue Society and Revolver, fill a room with wildcards and let mayhem take place.
Zwelethu Radebe finds space to breath
In an artful spot for South African portal Private Property, the Egg Films director shows people connecting to the areas they inhabit.
CarMax has been on the Beetlejuice
In a wacky homage to Tim Burton's classic a hapless family find themselves at the mercy of BeetleMax.
Floyd bags a big deal
Written and directed by unsigned talent Jasper Cable-Alexander, this witty film for the luggage brand sees a big fella take on some tiny endeavours.
Xbox adapts to help thrive
McCann London helps launch the gaming system's new adaptive joystick with a joyous montage of innovative accessibility.
Jamie Madge co-edits shots with Danny Edwards. He conducts written and filmed interviews with some of the world’s top creatives, directors and producers, as well as producing extended features on regions, techniques and trends within the advertising community.
He also oversees the compilation of shots' ground-breaking Unsigned, focussing on global unsigned directorial talent, and curates the regular Unsigned screening nights that have travelled the globe.
Alongside that, Jamie has presented panels and screening on branded content as part of the D&AD, Raindance, El Ojo and Rushes Soho Shorts festivals, and recently chaired a discussion with Martin Campbell at the Cannes International Festival Of Creativity, so basically met James Bond or something. He has also sat as a judge on many advertising and film awards, including Radar Music Video, the UK MVAs and Reed Short Film. And the shots awards, natch.
Jamie loves musicals, loves comic books and loves Marmite. He has a lot of love. He also thinks that if you don't like the film Back To The Future, it's difficult to believe you like anything.
US-focus; Interviews; Profiles; Presents; A Few Of My Favourite Things