The American artist and rapper Lil Wayne lust over each other in a stylishly-shot promo for her new track Ridin, directed by Relta.
Drawing inspiration from PSAs of the past, the lung organisation’s creative new campaign urges parents to have conversations with their kids about vaping.
Drawing on authentic Gen-z insights, Birthday’s sweet new campaign spotlights the moments relationship-seekers realised it was time to delete the dating app.
The No.1 women’s singles tennis player stars in a stylish spot launching her collab with sports apparel brand and fashion label Ambush.
In collaboration with top global Paralympic athletes, the German orthopedic brand raises awareness of the many unnecessary accessibility obstacles disabled people face.
Clinching not just one but four YDA Golds, plus the Special Jury Prize, Oak Lane Motion Pictures director Victoria Warmerdam's darkly comedy short, I'm Not a Robot, draws inspiration from CAPTCHA technology, vintage sci-fi aesthetics and psychological thrillers to address feminist themes of identity and objectification.
A delightful animated spot from the first worldwide Olympic beer sponsor spotlights moments of celebration that happen after the games.
A cleaver-wielding grandma tackles a gargantuan cephalopod in a fun first animation from Electric Theatre Collective’s animation studio.
In a poetic short film, a young Turkish woman explores the expectations and anxieties of existing in a female body.
Arts Academy editor Kelly Lyon, ACE shares her admiration for masterpieces from Severance to Making a Murderer, tells us why The Office is the holy grail of editing, and emphasises the power of a good cut in bringing comedy to life.
The LA-based artist plays the role of a private investigator for tiny creatures in a comically bizarre mixed-media promo for his track Beetle Bugs.
In just three years, director Emma Branderhorst has clinched two YDA Golds, a D&AD award, and a Cannes Grand Prix; all before her graduation film debuted online. Here, we dive into her knack for tackling social issues, making a mark with young people, and casting non-actors effectively.