Playlist: Michael Di Girolamo

What’s the best music video you’ve seen recently and why?

The music video for Dua Lipa - Illusion directed by Ukrainian director Tanu Muino. This visually captivating video has it all, aerial stunts, synchronised swimming and hot men diving and swimming in Barcelona. What more can a gay man ask for this Pride?

Fun fact -  It’s no mistake this video has strong Kylie vibes, the same pool featured in Illusion was also used as a location in the Kylie Minogue - Slow music video from 2003, and directed by one of my favourite music video directors, Ballie Walsh. 

What’s the first music video you remember being impressed by? 

I grew up during peak MTV viewing so I’d have to say A-ha - Take on Me. Creative, surreal and iconic!

And what’s your all-time favourite music video?

Massive Attack - Unfinished Symphony is undoubtedly one of my all-time favourites. It is a timeless masterpiece that resonates with me on a deep level. I vividly remember being 21 and working at MTV, where Blue Lines served as the soundtrack of our department and more importantly served as the “sound” of a new decade. I am always fascinated by an article I once read where Daddy G of Massive Attack describes the making of the album and how he set out to create dance music for the head rather than the feet. How many artists can say that today?

Now back to the video, Unfinished Symphony was unique, it was raw, emotional, and 100% human. It was a vibe. The music video, directed by Ballie Walsh and art directed by the legendary performance artist, Leigh Bowery, is undeniably one of the coolest music videos of its time.

What sets this five minute video apart is that it was shot as one continuous sequence filmed on Steadicam. This seamless approach showcases the artistic vision and technical skill during the production.

What other directors/artists do you look to for inspiration?

Definitely Daniel Wolfe. Wolfe is known for his unique storytelling style which often delves into complex themes of the human condition backed by visually striking images and beautiful cinematography. One of my favorite music videos of his is Paolo Nutini - Iron Sky. This video transcends the boundaries of a traditional music video and resembles more of a short film. It left such an impact on me, that as the chair of the jury panel at the Ciclope Festival in 2014, I supported and voted for it to receive the Grand Prix, a first for a music video.

What are you listening to at the moment? 

I’m really digging Stephen Sanchez, his music is emotive and soulful with a healthy dose of country/pop.  On the opposite end of that spectrum is The Challengers soundtrack, I put it on blast when I need to hype myself up. Atticus Ross is a genius. 

Music has always played a significant role in my life. It helps me remember things and heightens my emotions. My parents would frequent Studio 54 in the late 70’s and in the late 80’s early 90’s NYC, I would attend Susanne Bartsch’s infamous parties at the Copa and Palladium and I’d meet the most interesting people at other legendary clubs in NYC and London.The connection between the Pride movement and the music of that era was undeniable and still is. It serves as a universal language that transcends boundaries and obstacles, bringing people together and fostering a sense of optimism and unity at a time when people were sick and dying of AIDS. 

I hope you enjoy my Pride playlist, it serves as a reminder of the triumphs, struggles and self expression in my life and our community. The final track holds a special place in my heart, it's one of the most beautiful songs ever composed. I remember listening to it as a teenager, finding it both haunting and captivating. Little did my 15-year-old self know that someday I would be dancing to it on my wedding day, 40 years later, with the man I love.

What artist(s) would you most like to work with and why?

I’ve worked with many over the years, but the one person I would have loved to work with is David Bowie … for all the reasons. 

How do you feel the promo industry has changed since you started in it?

Well for one thing million-dollar plus videos are out the door but more importantly with the dominant platform, MTV no longer playing music videos, new platforms have taken over such as Spotify, TikTok and YouTube. It's the only way now to launch and watch music videos. I think TikTok will survive the ban and eventually age up. The promo industry is not going anywhere, it has a way to adapt and endure over generations. 

Where do you see the music video industry being in five years’ time? 

In the next five years there will be significant growth in streaming services and the rise of short-film video as the dominant for music-focused social media. I think these developments are likely to contribute to a more inclusive and independent artist climate.  Though with changes will likely come challenges and all ears will be focused on AI-generated music. Lawsuits will decide the moral implications and the complex landscape that is currently unfolding in the music industry.